Number 2 (Pencil Shavings) Perfume Review

I’m a very visual person — it’s generally hard for me to talk and write about something that I can’t see or read. I don’t usually write about music, the taste of food or drink, or other non-visual stuff.

That’s why I never thought I’d be writing about a scent — especially on a pencil blog.

One of our amazing Erasable listeners and Facebook group members, Mica Thomas*, sent Johnny and me some samples of a perfume her friend, Dawn Spencer Hurwitz of DSH Perfumes, created. It’s called “#2 (Pencil Shavings)”.

That’s right — a pencil-scented perfume.

Where do I even begin? First, wow. This is right up there with the pencil/wine pairings that David Rees put in his book, How to Sharpen Pencils (when we interviewed him on Episode 15 of Erasable, he told us that was completely legit — a friend who owned a wine shop sat down with him and helped develop that section!).

After receiving a cool little package in the mail, I opened it and found some goodies from Mica.

The scent came in one of those little glass vials they pass out of perfume at a department store cosmetics counter.

The smell, though

Right after unpopping the cap, the smell was too intense to really discern any particularly woody scent. It smelled really odd — bitter, maybe, and slightly unpleasant. After applying to my skin, or to cloth, the intensity of the scent stayed for a few more seconds, and then it fades into something a bit more familiar.

As Johnny described it on the most recent episode of the podcast, it smells more like red cedar than incense cedar; more of an old fashioned pencil. I’d have to agree, though I don’t think my experience with cedar is as rich as his.

(I wish I had some kind of visual to show you here, but I don’t.) 
I feel like, though, there’s a touch of something else in it. Something more sharp or mineral-y. Graphite, maybe? After all, that’s present in the pencil shavings too. It’s not unpleasant at all — it smells a bit like being in grade school and emptying the container of shavings from the old Boston crank sharpener on the wall into the trash can.

The bottom line

Dawn says that the scent will be available as both a wearable essence and as an ambient scent in, say, a reed diffuser. I can defintiely see the latter being more popular than the former — retired elementary teachers, maybe, could scent their living room if they miss the atmosphere of their classroom.

I’d like to thank Mica and Dawn for this really interesting experience! And, of course, I’ll update this post with a link as soon as it is available for purchase in a couple weeks. In the meantime, check out the rest of Dawn’s scents on her website, DSH Perfumes.

(By the way, Mica is the general manager of a really cool company that makes and repairs guitars — by hand! — called Alembic, and they were recently featured in Rolling Stone Magazine!)

 

 

POSSIBLE SPOILERS: Field Notes Unexposed Edition Unboxing Video

Warning, if you don’t want the new, mysterious Field Notes edition spoiled for you, don’t want this video. If you do, then, ONWARD!

There are a few more observations I’ve had, after looking at the Field Notes for a bit longer.

The first is that I think this is the first time Field Notes has had a registered trademark symbol (®) next to the Futura’d “FIELD NOTES” mark on the front. That bums me out a bit, partly because, well, it means that some lawyers got ahold of it, but also because it’s moving one more step away from the original intent of a pocket notebook like this. It’s more of a brand now.

I completely understand why they did it, and if this was my product, I’d probably do it too.

The notebook comes in six varieties:

  • Purple with green words,
  • Green with orange words,
  • Orange with blue words,
  • Blue with pink words,
  • Pink with yellow words, and
  • Yellow with purple words.

Here’s a photo. SPOILERS:

Field Notes Unexposed complete set. Photo by Mike Finneran, posted to the Field Nuts group on Facebok

Field Notes Unexposed complete set. Photo by Mike Finneran, posted to the Field Nuts group on Facebok

They’re all very bright, made from flourescent soy-based inks printed on a white 100# silky paper. The inside color is the inverse of the outside.

One of my favorite things about it is that it resurrects the paper used in the “Night Sky” edition — a 50# bright white paper with a light grey application of their “reticle” graph — basically, it’s a dot grid, but instead of dots, they’re little “+”s.

Here's a Night Sky Field Notes I'm in the middle of, and its "reticle graph" paper. This paper is identical to what the Unexposed edition uses.

Here’s a Night Sky Field Notes I’m in the middle of, and its “reticle graph” paper. This paper is identical to what the Unexposed edition uses.

What I was expecting

When Field Notes sent the email teasing the edition, they included this image:

Field Notes teasing email

And then when they announced the name of the edition, “Unexposed,” I naturally thought about photography. After all, this is a very “art school” photograph, and it’s almost like a pinhole camera. They said the edition was sealed in an opaque paper, so I was hoping that the cover was photosensitive — maybe they changed color when opened and exposed to light.

That would have been so cool, wouldn’t it?

Schrödinger’s Notebook

Schrödinger's NotebookOkay, bear with me here, because I’m going to wayy overthink something.

A friend and I had an interesting discussion about this edition on Facebook. When Field Notes announced it earlier this week, they didn’t give away any details of each notebook. But they did say that each three-pack will be sealed with an opaque paper, and the colors in each three-pack will be chosen at random.

That’s right: no one will know which three of the six colors are contained therein — only by opening it (and thus devaluing the set), will they know if they have all the colors.

This sets up a conundrum: Do collectors keep them sealed, maintaining maximum value, or do they open them, and trade until they have all the colors?

I theorized that this is an anti-collector’s edition: that Coudal and Draplin are trolling the collectors by introducing this conflict into their acquiring.

My friend brought up an interesting counterpoint, however, and rightfully so — that in fact, this is the ultimate collector’s edition, and because collectors will be tempted to open the sealed packs, the number of the sealed pack will seriously lessen over time.

This would create a meta-collectability — that eventually, those who don’t care about the colors, but care only about the sealed notebook packs, would pay top-dollar.

For those collectors, the unknown factor of what colors are inside is a bit thrilling — the colors are unknown, for as long as they are in that meta-collection, they cannot be known.

Erwin Schrödinger might say that the colors on the notebook both exist and do not exist.

Regardless, these notebooks are a joy to look at, to touch, and eventually, to use (I have a Night Sky to work through, first).

Rite in the Rain Notepad Paper Review

It’s been a long time since I’ve last posted a video review. But this one just begged for it:

Basically, I took the review page from my Rite in the Rain mechanical pencil review, and a page from one of my favorite notepads, the Ampad Retro Gold Fibre (available online or at Staples), and gave them a good soaking from the hose. Right away, the Ampad paper soaked up the water, became limp, and tore very easily.

The rather more hydrophobic Rite in the Rain paper resisted the water, which beaded up on the surface of the paper. It took just as much effort to tear it as it does a dry piece of paper (even dry, Rite in the Rain is thicker and offers more resistance than most writing pad papers).

I wrote on both sheets of paper with pencil, which is already water resistant. But if you use a fountain pen, especially with normal, water-soluble ink, the Rite in the Rain paper shouldn’t completely protect you from smearing when wet. Since the ink has soaked into the paper somewhat, it should perform better than the regular notebook paper, but still — I like to think pencil performs best under wet circumstances. Especially on a Rite in the Rain notepad.

Thanks to my lovely partner, Katie, for running the camera and the garden hose!

Rite in the Rain Mechanical Pencil Review

I’ve always liked Rite in the Rain notebooks. While I’m not particularly outdoorsy (I prefer to be called an indoorsman,, like most good bloggers), I love the durability of their paper and the retro aesthetic of their yellow or tan products, and of course, the gorgeous script typeface in their logo.

That’s why I was excited that they introduced a series of mechanical pencils! I’ve always found it a little bit ironic that they have a wooden pencil in their logo, but had no graphite options in the writing equipment they sell.

Rite in the Rain Mechanical Pencil

I know, I know — I’m a wooden pencil guy, and this is a wooden pencil blog. And this product video doesn’t help make the peace:

But still, this pencil is gorgeous, and fits with their market really well. It’s the same yellow, but in a smooth sturdy plastic, and a slate grey eraser. Like their notebooks, they’re inexpensive, but well made. And, I imagine, very durable.

Rite in the Rain mechanical pencil test

This pencil comes in three varieties — a yellow barrel with black lead, a black barrel with black lead, and a red barrel with red lead.

This pencil was developed along with, and manufactured by Autopoint, which makes sense — it really fits within their wheelhouse. This was a good fit.

I’m not a huge fan of how wide this core is — it’s 1.1 mm instead of the thin 0.5 or 0.7 mm that is often found in mechanical pencils. I can appreciate why it’s wider, though — it’s less prone to breakage, and shows up darker if writing bigger. Sure enough, it didn’t snap once when I was testing it.

Rite in the Rain graphite tip closeup

The graphite was nice and smooth, and dark. Especially on the paper in this Rite in the Rain notebook, it glided across the page.

The red core, on the other hand, was a fairly unpleasant experience — the pigment is way too light (as you can see in the image), and waxy to the point of feeling gummy. It dulled much faster than the graphite core did.

The only other complaint I have about this pencil is the sturdiness of the twisty point. As I’m writing, it sometimes creaks in an alarming way, like I’m stressing the little contraption inside that advances the core when I twist it. Nothing seems to be affected or broken, though, so it may just be a natural result of having two pieces that fit together like that.

I really like how it feels. It reminds me of a Bic Clic, and I hope they don’t take that as an insult. For the price, a Bic Clic is one of the most attractive, best engineered pens I can find. It’s shaped beautifully, performs consistently and admirably, and even though it’s plastic, it’s really high quality. I’ve never seen a flaw in one.

This pencil feel much the same. It’s a little bit thicker than a Bic Clic’s widest segment, and it’s just a little bit longer than the Bic. It feels really nice in my hand, and I imagine if I was someone who had to scribble notes in the rain, it’d be great to hold onto.

I think my favorite part of this pencil is the eraser. I don’t think I’ve seen one like it before — it’s grey, and I was expecting it to be very pumice-like and gritty. It’s not, though. It’s super-smooth, but really effective. It rubs off cleanly, almost like a vinyl eraser.

Rite in the Rain mechanical pencil eraser

Sure, I’d like to see Rite in the Rain introduce a wooden pencil. But honestly, it’s no big deal if they didn’t. They produce a great notebook, one that any pencil would work well with. They lent their philosophy to this mechanical pencil — a quality, durable tool for not a lot of money. I think it holds its own really well in their product lineup.

You can buy these mechanical pencils for $10.95 each, and refills for the core and the eraser, on their website. And for that 6×9″ top-spiral-bound notepad I used to review it? It’s $9.95 available from their website.

(Disclaimer: These products were given to me, free of charge, for review purposes. Thank you, Rite in the Rain, for these samples!)

UPDATE: A few readers have written to me that that the Autopoint All-American Jumbos are identical and cheaper. I don’t know if they are identical, and the RiR pencils are merely privately labeled, or if there are manufacturing differences/improvements. I intend to get an Autopoint-branded pencil and check it out. So in the meantime, I’d recommend that you hold off on your purchases of either.

The Blackwing Slate: The pencil-optimized notebook

It’s a really exciting day today, folks. It marks the ninth anniversary of my friend Johnny Gamber’s first pencil review on Pencil Revolution! He wrote about Pencils.com’s ForestChoice pencils.

It’s speculated by Pencils.com’s Fearless Leader (and CalCedar president and CEO) Charles Berolzheimer, this is the first pencil review, ever, on the internet. (And to celebrate that, Pencils.com is having a one-day-only sale on ForestChoice products — 25% off!)

Congratulations, Johnny! Long live the Revolution!

Blackwing Slate

Yesterday marked the first day the Blackwing Slate was available for purchase. If you get emails from Pencils.com, or have been reading the blogs at Pencils.com and Blackwing602.com (there’s a lot of websites nowadays in this franchise), you may have seen teasers for this product. It’s a Moleskine-like notebook, but improved for co-branding with the Palomino Blackwing. And, in my opinion, way nicer than a Moleskine.

It seems that the devil is in the details with notebooks nowadays. The Baron Fig, reviewed here back in April, excelled in the little design choices that set it apart from its rivals. The same thing applies to the Slate — there are numerous little improvements that really make it stand out.

The Exterior

It’s size is quite similar to the Palomino-branded journal line at 5” by 8.25”. The cover is a bit thicker and softer,though, and very matte — more of a shark skin feel to the harder, shinier Palomino hardcover. I’m not sure about this softness — I hope that it means it won’t scratch easily. Only time will tell. Besides that, it’s quite nice to touch.

Blackwing Slate Cover Closeup

It has a really nice thick elastic loop on the spine for a pencil, which is a great feature. This isn’t a dinky little piece of elastic either — this thing looks like it’ll hold its stretch for years.

Blackwing Slate Spine

Speaking of spines, the really innovative thing (in my opinion) about the Slate is the spine. because there’s a pencil strapped close to the spine, the two thick covers stop at the edge, and then are bound together with a substrate (I think I’m using that word correctly here). Essentially, the spine is reinforced, not with an extension of the cover board, but with the cloth that binds the cover to the signatures of pages inside.

It results in a very flexible cover — the first time I opened it, it wasn’t stiff at all. And I can even open it with the pencil still in the loop, which is great. It seems like it might make the notebook less durable — if the cover’s not protecting the spine, will it tear easier? Again, time will tell.

The Paper

Writing in the Blackwing Slate

Man. I love, love this paper. It boasts a 100gsm paper, compared to the Palomino luxury notebook’s 90gsm and Rhodia’s 80gsm paper. It’s so thick and plush, you guys.

It’s available in both lined and plain. Since the guys at Pencils.com know I am not an artist, they sent me a lined one to try out. The grey lines are set apart 0.25” on an off-white paper. The paper is smooth, but not as smooth as Rhodia paper. It has a little tooth on it, specifically engineered — I hope — for pencil. It’s the perfect amount to grab your graphite but still feel smooth.

Closeup of Palomino Blackwing 602 writing in Blackwing Slate

I tried it out with a medium-nib fountain pen, just to see how the paper held up to ink (though it would be sacrilege to use anything but pencil in this notebook!), and it worked great! No bleeding of note at all on the opposite page.

Closeup of a medium-nib fountain pen ink in Blackwing Slate

The opposite page from the fountain pen wriiting. As you can see, there is virtually no bleed-through! This is some thick paper.

The opposite page from the fountain pen writing. As you can see, there is virtually no bleed-through! This is some thick paper.

The Details

Besides the spine, this is what really gives the Blackwing Slate its distinction, and contributes greatly to those details I mentioned earlier. It has all the Moleskiney amenities, but all a bit nicer than the Moleskine’s — a satin bookmark, an elastic strap to keep the cover closed, a paper pocket in the back to hold stuff.

There are two different pockets in the flap in the back!

(That pocket is interesting — it’s actually a double pocket, with a small flat on the front for small things like, say, a driver’s license or credit card, and a wider one behind to hold things slightly smaller than the cover)

It even comes with a shiny new Palomino Blackwing 602 pencil tucked in the pencil loop on the spine!

It’s the details.

The Price

The Slate sells for $22.95, a full $9 more than a Moleskine Classic notebook sells at Barnes & Noble. The included pencil is worth about $2 of that price, so at $20.95, is the notebook worth it?

Depending on a lot of factors, of course, in general, I’d say that yes, it’s worth it. I’m not trying to bash Moleskine here (we actually had a discussion on the most recent episode of Erasable about how it’s become fashionable to look down on Moleskine), but the Slate is much better constructed, the paper is so much heavier and nicer, and for a pencil user like me, that elastic loop on the spine is wonderful.

Go check it out!

The Blackwing Slate | $22.95 at Pencils.com

Disclaimer: This product was sent to me, free of charge, for review purposes. No monetary compensation or additional direction was provided to me.

 

Pocket Department Notebooks, reviewed

I’ve been spending a LOT of time thinking about paper, folks. But sadly very little time actually writing about it. It seems like no matter how many different brands I try out, Field Notes always takes the lead. Whether that’s because of their gigantic fanbase or because of their creative limited edition notebooks, I don’t know, but my papery rabbit holes always seem to lead back there.

That’s why it’s a breath of fresh air to talk about a couple other pocket notebooks I’ve been using lately, by the Princeton Architectural Press. Through a collaboration with the Brooklyn Art Library, this collection, “Pocket Department,” has a unique format. From their website:

Pocket Department is a line of sturdy notebooks inspired by vintage stationery and designed to fit every pocket: back pocket, shirt pocket, backpack, and messenger bag. These custom-tailored notebooks are ideal for capturing ideas, composing thoughts, making lists, or sketching on the go.

JetPens, a fantastic online shop with pens, pencils and paper galore, was kind enough to send me a couple varieties of the Pocket Department notebooks they stock: The Shirt Pocket notebook, in green, and The Back Pocket in yellow.

Pocket Department Notebooks

The Shirt Pocket

Pocket Department Shirt Pocket notebook

At a pretty standard 3.5” x 5.5”, The Shirt Pocket notebook is not sized significantly different than an aforementioned Field Notes cahier. It does indeed fit easily into a shirt pocket:

Pocket Department Shirt Pocket notebook in shirt pocket

I really like the design: the color, the simple font choice on the front and the plainness of the inside. I love that the lines on the paper match the green cover, and the paper itself is smooth. It takes anything from a pencil to a felt-tip fine liner perfectly (I didn’t try it with a fountain pen, I’m afraid).

Pocket Department Shirt Pocket notebook writing test

I have to admit, I’m not a huge fan of the binding. Instead of a saddle stitch like so many pocket notebooks do, they opted instead to make it perfect-bound. That results in a much cleaner spine and keeps it closed flat, but when you’re trying to write it in, it’s very tight and hard to hold open.

It seems like it’d be a great format to offer something Field Notes, Word., and other pocket notebook stationers don’t: perforated pages. I’d love to use this thing to scribble a note, and then tear out for later. Alas, it’s definitely not a perforated book.

The Shirt Pocket notebook is available in a pack of three for $12.50 at JetPens.

The Back Pocket

Pocket Department Back Pocket notebook cover

This was a fun one to review! At 4” x 4”, this perfectly square notebook is unlined, perfect for quick visual notes, a sketch, or just for writing words that can’t be contstrained to lines.

Pocket Department Back Pocket Notebook paper test

Oh, just so you know, I am the WORST at drawing. I should have given this to a more artistic friend to try out.

It has the same binding as the green notebook, but the size made all the difference — because there was more width to each page, it was much easier to hold open. I also appreciate the size in that I can flip the page up, like a reporter’s notepad, if I wanted to.

The Back Pocket notebook is available in a pack of three, also for $12.50 at JetPens.

Other Sizes

The Pocket Department has a couple other sizes that I’d love to try that isn’t unfortunately available at JetPens — There’s The Messenger Bag, sized at 8.5” x 5.5”, and The Backpack, at 6” x 6”. They’re not so much formatted for a pocket on a piece of clothing than a pocket for a bag, so they’re much bigger.

I found a website at PocketDept.com that seems to tease out different colors being available, like grey, white and a natural brown paper sack color, but the site is either broken or not entirely built yet.

All things considered, this is a fun little notebook series. I haven’t used it enough to tell how durable they are, but once I figure that out, I’ll definitely report back.

Find out more information about Pocket Department notebooks at JetPens.com.

The Gallery Leather Oporto Journal, reviewed

Prologue: Apparently Johnny Gamber and I are on a similar review circuit — he just posted a review yesterday! Be sure to check it out at Pencil Revolution for much better pictures.

Disclaimer: I received this product free of charge from Gallery Leather for review purposes.

There was a period of four or five years back in my pre-iPhone, post-collegiate days where I religiously used a weekly planner. In fact, I had a yearly ritual to usher in the new calendar year: After the first week of January, I’d go into Barnes & Noble or Borders, walk straight over the journal aisle, and page through the weekly planners.

It was an intensive process, and I had a whole list of requirements. In fact, back in 2007, I wrote it all out on 43 Folders:

  • Needs to be in the 5.5” x 8.5” range – slightly bigger or smaller is all right.
  • The week has to fit onto one page or one spread.
  • There cannot be markers on the day for hours. My day doesn’t start at 8 and end at 5, so don’t fence me in!
  • It has to have simple styling – one simple color or design. None of this “180 Great Views of Ireland’s Splendor” kinda stuff.
  • I need a bookmark or tabs to indicate where I am in the book, so I can easily turn to the right page.
  • No spiral-binding. Yes, I know that makes it lay flat easier, but I’m left handed. That binding hurts. Plus, I like to feel like what I’m writing in is a book.

And, almost every year, the winner of my exhaustive search was Gallery Leather.

That’s why I was so excited when I got an email from a representative from Gallery Leather asking me if I’d be interested in reviewing one of their products. I almost asked for a planner for old times sake, but I realized I couldn’t utilize it properly — I work at a job where we must use our electronic calendars, so I’ve sadly given up on my analog workflow.

The Gallery Leather Oporto Journal in orange

After poring through their product lineup, I set my eye on the gorgeous Oporto Journal line. The design is a bit more modern than the classic (though not stodgy) Gallery Leather styling, as you’d see in their desk journal or travel journal range. The edges are a bit more flush, the leather is bonded to the substrate, and the pages aren’t gold-edged.

In the grand tradition of Brad Dowdy when presented with a color conundrum, I chose an orange one.

Aesthetics

Closeup of the beautiful, supple leather cover on the Gallery Leather Oporto Journal. This close up, it looks like an orange, doesn't it?

Closeup of the beautiful, supple leather cover. This close up, it looks like an orange, doesn’t it?

Ah, it feel like I remember my planners to feel: Solid yet flexible in a way only leather can replicate, smooth and cool. I really like the A5 format for journals (imagine an 8.5” x 11” sheet of paper, folded lengthwise, and turned on its side). It fits really well in my hand and leaves plenty of room for writing without getting bulky. It’s perfect for writing in your lap or on a desk.

All of the ways I listed above where it differs from the traditional Gallery Leather I think work, really, really well to give it a refreshed, modern, more minimalist feel.

A closeup of where the leather cover meets the substrate. It looks a bit raw and unfinished.

A closeup of where the leather cover meets the substrate. It looks a bit raw and unfinished.

Except in one area: where the leather meets the substrate.

In the classic Gallery journals (and planners), the leather is folded neatly around the corners and sort of tucked around the back of the substrate, and under the paper liner. It gives the feeling of a neatly folded bed. With the Oporto, the leather is sheared off on the rounded corners, and the substrate/paper liner is glued to the back of it, about a quarter of an inch in. It’s a little hard to explain, so here’s a picture:

It feels a little bit weaker, and with time, I imagine the leather bending inward, wrinkling a little bit. I know that is essential to the modern styling, but it feels a little… unfinished.

The paper is, with my other books from Gallery Leather, top notch. It’s much whiter than the creamy manilla pages of their classic journals, but not a jarring bright white. It’s definitely duller than, say, a Rhodia notepad white.

Performance

It performed just as I expected, which is to say superbly. I tested a page out with a pencil, my trusty Peebs 602. It took the graphite really well, with nary a smear after laying down the mark. For as smooth as it seemed, there must have been some kind of tooth to the fiber.

Gallery Leather Oporto Journal page spread

To be fair to my inky friends, I also used a green gel pen that I found on my desk, and a gorgeous Kaweco AL Sport with a medium nib, laying down green ink from a cartridge I loaded into it.

The page was plenty thirsty, and barely smudged when I passed my finger over marks that have been created just a second or two before. Looking over on the other side of the page, I could see that there was just barely a bleed-through with the fountain pen, and absolutely nothing showing for the pencil or the gel pen:

Gallery Leather Oporto Journal opposite page spread — barely any bleedthrough

Finally, holistically, the journal fared really well. I carried it around in my messenger bag for three weeks or so. While there aren’t really any loose sharp objects jostling around with it, my laptop charing cable, other books and notebooks, and some paper was in there with it. To this day, the journal looks brand new.

Wrapping Up

This journal is a treat to use. Gallery Leather flies under the radar a lot of times, with their understated marketing (the opposite, perhaps, of Moleskine) and their lack of gimmicky features (cough cough Baron Fig cough cough) You’ll see them for sale at Barnes & Noble, or right at their very own website.

The Oporto journal is very reasonably priced, in my opinion, at $20. As of June 26, it looks like they have a full stock of all colors except for black, which will be available again on July 25.

Gallery Leather Oporto Journal

Check out some more pictures I took of this book.