Review of the Bookblock Original

Just about a year ago, I got an email from Stefan Johnson, the creative director of a design agency in London, who was planning a Kickstarter campaign for a notebook. It stood out to me because, unlike most other Moleskine-style notebooks, this was for a completely customizeable notebook — from the cover to the spine, the elastic band to the bookmark, you could pick the design and the color, and you could do it without being required to order in quantity — each was completely one-off.

The Kickstarter campaign

I was intrigued, so I pledged £10 (disclosure: I pledged at a level that had a discounted rate for bloggers who reviewed the product. And here is that review). The campaign launched on August 18, and closed a couple months later on October about £600 over the £10,000 goal.

Pretty soon after, Stefan sent me a template to fit into my design. I really wanted to put the production process through its paces, so I wanted a fairly complicated, precise design. Which led me to this, based on TJ Cosgrove’s amazing reproduction of an old Eberhard Faber Blackwing box for Erasable:

image-7

In addition to this design, I chose a black elastic band, and a red bookmark to accent the red on the cover.

That was in mid-August, right after the campaign ended.

And then, everything stopped.

I heard back from Stefan again in March, apologizing for being silent for seven months, and letting me know my notebook was ready.

I responded, and then there was silence again for a couple months, when I heard from someone else from Bookblock — Phoebe — that she was going to send me the notebook.

A week later, 10 months after the campaign ended, the notebook came.

image-6

The notebook’s production quality

Well, first of all, the order was wrong. I asked for a black elastic band and a red ribbon, and got a navy blue band and a white ribbon.

However, the design itself was implemented from the template with exacting precision. I lined it up so the spine had a pencil right in the center — if it was off even by a fraction of an inch, it would be pretty noticeable.

The Bookblock Original came pretty darn close to the original design I submitted. Excellent work by whomever set up the template.

The quality of the printing is… decent. It has the resolution of maybe a nice color laser printer, and although the color is pretty true to the digital design, it was finished with what looks like a clear, matte coating that just dulls the whole design.

The Bookblock Original cover is covered with a dull finish and bubbles have appeared in places.

This is just a guess, but it looks like the design was printed on paper that was applied beneath some kind of contact paper — there are multiple instances where there are bubbles between those layers, especially around edges. It cheapens the looks significantly.

The notebook’s materials

Phoebe told me that Monsieur Notebooks was a “sister company” of the Bookblock Original, which looks to mean that they produce the notebook itself — the binding, the paper and the materials. If I were to guess, Bookblock Original wraps their designs around the Monsieur journal.

The Bookblock Original inside cover, with the Monsieur logo.

Monsieur’s a pretty popular producer of custom notebooks — if you’ve ever gotten a pretty nice customized journal that seemed nicer than and more personalized than a Moleskine with a stamp on the cover, it could very well have been a Monsieur.

The Bookblock Original inside spread. The paper is of decent quality and is pretty pencil-friendly.

The paper inside is really nice. It’s medium-heavy weight, about 90 gsm, and has some tooth to it (but not too much tooth), much like the Baron Fig Confidante. This means it’s pretty pencil-friendly. My General’s Cedar Pointe #1 wrote in it like a dream, smooth but dark.

The Bookblock Original page closeup.

The signatures of the book are visible and are pretty noticeable. I’m not sure what that indicates, but it seems to me to indicate that it’s been hastily assembled. Even most Moleskines, which have dropped in quality over the years, seem to be bound and cut carefully enough that it’s hard to pick out where the signatures in the binding start and end.

The price and market fit

Now that the Kickstarter is over, these notebooks are available publicly. The Bookblock Original’s website says that the notebooks start at $18, though they aren’t clear up front what features cost more until you’ve completed the process to design your own.

It’s also unclear what Bookblock Original’s relationship is to Bookblock, or what their relationship is to Monsieur. The original Kickstarter mentioned nothing about differentiating the “Original” from the brand name.

If Bookblock Original improves their production, $18 is a perfectly reasonable price to pay for the amount of customization you’ll be able to do to a reasonable quality notebook. It’s great for one to, say, five notebooks decked out with your favorite design.

I was hoping to be impressed by this enough to buy Johnny, Tim and TJ all a copy of this Erasable Podcast notebook, but until the dull finish is more vibrant and there are no bubbles in the cover, I don’t think I’ll be spending more money here. Now that they’re in regular production and out of the setup phase, hopefully that’ll be soon.

Story Supply Co.: the TOMS of the stationery world

Have I mentioned lately how much I love the Erasable community? Well, a lot, I’m sure. But this is something special. One of our group members, Vito Grippi, recently launched a (successful!) Kickstarter campaign for his new company, Story Supply Co.

In a nutshell, they source and give away “story supply kits,” for kids to learn the art of creative writing, storytelling and journaling. They’re partnering with 826, a series of fantastic arts nonprofits that help kids with many of the same goals.

Here’s the video from Vito’s Kickstarter campaign:

Did you notice the cameos from a Mitsubishi Hi Uni and a couple Palomino Blackwings? I sure did.

This is the kind of thing I love — admittedly a pocket notebook and a pencil aren’t the most original offerings ever, but they’re tools for creation! It’s not about creating specialized notebooks with one purpose and one layout. It’s about making a good quality notebook, a good quality writing utensil, for a great cause — helping give kids the same opportunity.

I also love that they’re partnering with 826. I have a couple posters from 826LA, and I’m not too far from the original, 826 Valencia, which is in the Mission district of San Francisco.

Full disclosure: I pledged already, and Vito sent me a pack of notebooks and a pencil early for review purposes. So while I haven’t really paid for them, I am already a backer of this campaign.

I’m a bit late to this review (Johnny talked about it over on the venerable Pencil Revolution, and Gary Varner’s very active new upstart paper blog Papernery has a great review,) but I will mention a few things.

The Notebook

I’m definitely loving the simple, navy blue cover with the Story Supply Co. logo on the front. It’s clean, and the navy-over-cream cover stock seems thick and rugged. The cover has a bit of tooth, as I noticed that there’s a subtle fiber interwoven in the paper, sort of like a dollar bill.

pencil-and-notebook

I’ll mention that the cover itself is pretty bad at closing completely once opened, and when it’s open, it wants to fold up pretty bad. It’s not dissimilar from Scout Books in that regard, though I know for sure that this is not a Scout Books product.

The inside is a creamy, thick graph paper. According to Gary, it’s a luxurious 70# weight, which is more than enough for the darkest of pencils, and perfect for all but perhaps the thirstiest of fountain pens.

IMG_4165

The 5 millimeter grid is a great size, though it’s laid out strangely on the page. It doesn’t quite meet the top of the paper, though there isn’t enough space for a non-gridded headline, and there’s a slightly thicker line running a quarter of the way in from the outside of the page, and a quarter of the way up. See?

grid-paper

Maybe that was intentional? I have no idea.

Still, though. It’s a bit rough around the edges, but it’s a damn fine notebook, especially considering it was their first run. As the company matures, I’m sure it’ll get better and better.

The Pencil

pencil-sharpened

Now, this is an interesting one. Vito was kind enough to include one of their later offerings, a round, natural-finish pencil! It bears the name, tagline, and some other information about the company, and on top of a golden ferrule, it has a navy blue eraser that matches the silkscreen on the barrel! Swoon.

While it physically resembles the Field Notes pencil, I’m convinced it’s better quality. The wood isn’t as splintery when I sharpened it (with my KUM Masterpiece!) and while the pencil itself isn’t as fragrant as the Field Notes pencil, the shavings are more so.

shavings-comparison

I’m not sure why that is, but I’m guessing that there’s an ever-so-thin layer of clear lacquer or sealant over the Story Supply Co. pencil. It’s thin enough to leave you feeling like you’re gripping a natural-finish pencil, but it’s not splintery at all, like I find the Field Notes pencil to be.

(It’s worth noting that this is a Musgrave-sourced pencil, so there’s a good chance it’s basswood, which seems to be confirmed when the shavings are next to the more pink Field Notes pencil. I also see a definite woodgrain, which makes it seem like the Story Supply Co. pencil isn’t processed wood.)

They leave very similar marks, but the Story Supply Co. pencil is noticeably smoother to write with than the scratchy Field Notes pencil.

point-comparison

In fact, the only things I think the Field Notes pencil has over this one is a) the typography is better (because, duh, Aaron Draplin) and the ferrule is more unique. Though maybe not as effective — a lot of people have told me the eraser comes out easily.

Story Supply Co.’s ferrule isn’t particularly special but it seems to do it’s job, which is what it’s all about, right?

The Kickstarter

The Story Supply Co. Kickstarter campaign successfully reached its $5,000 goal four days after launching, which is impressive and commendable. At the time of this writing, it’s at $7,167, which seems like it’s still got a lot of momentum in it.

For five dollars, you’ll get a sticker and a pencil, which is a pretty fantastic deal. For just double that, you can get a pack of notebooks in plain, ruled, or graph, and donate a kit to “a kid with a story to tell.”

I can’t wait to see Vito’s stretch goals!

This is the way to do it, folks. I’m loving Vito’s vision for the company, and his Kickstarter prowess.

Check out more about Story Supply Co. at their website, or go straight to their Kickstarter page.

New Kickstarter: The Twist Bullet Pencil

It seems like just a year ago, the world hardly remembered bullet pencils. There’s been a lot of talk about them over the past 12 months, and we’ve seen our first-ever bullet pencil Kickstarter project, for the Bullet Pencil ST.

(Since the time I posted an article about it while the Kickstarter was going on to when it ended in late August, they’ve been fully funded, ended the campaign successfully, and are due to be produced and mailed to the funders by the end of this month.)

I’m here to tell you about another campaign that launched last week to build a bullet pencil! I’ve actually known about this one longer than I have about the ST — it’s for the Twist Bullet Pencil, a collaboration between Huckleberry Woodchuck, an artisan who restores old bullet pencils, and MetalShopCT, an independent machinist who makes cool things out of aluminum and steel.

Twist Bullet Pencil in base colors and tip styles. Photo from @MetalShopCT on Instagram.

Twist Bullet Pencil in base colors and tip styles. Photo from @MetalShopCT on Instagram.

Over the summer, Jay from Huckleberry Woodchuck (who we’ve mentioned on Erasable before) contacted Tim and asked if we’d be interested in field testing a special prototype bullet pencil that he’s been working on. Of course, Tim said yes, and between him, me and Johnny, we carried that thing to work, to the lake, to the airport, et cetera. It was a lot of fun, and we got to talk about it on the podcast.

From my Instagram in July, the prototype bullet pencil along with a Word. notebook.

From my Instagram in July, the prototype bullet pencil along with a Word. notebook.

All the while, Jay was in contact — what did we like about it? What didn’t we like? What sort of pencils did we use in it? What were our favorites? We gave him as much feedback as we could.

Well, last week, it all paid off! Jay and Jon Fontane from MetalShop CT launched the Twist Bullet Pencil, a beautiful, improved (from the prototype) machined aluminum sheath for a pencil. I’m happy to say that they made their goal in just three days, so it’s definitely going to be funded.

The pencil will be available, for sure, in silver and matte black, and there are two different tips (the part that attaches to the pencil inside) in two different styles available — an aluminum or a brass tip, available in either a blunt, rounded style, or a pointy, more bullet-like style.

Twist Bullet Pencil Varieties

With pledge levels starting at $28 (which buys you one Twist bullet pencil with one style of aluminum tip) and going to $300 (which buys you ten, each with any tip in any style), they have a wide variety of prices. They even sold the original prototype for $125. I joked that the prototype has been in the pants of Tim, Johnny and myself, so it should be worth a lot more.

What’s really exciting and where the drama resides is in the stretch goals. They want to offer a few anodized colors, too. Because the anodization shop (is what what you call it?) requires a minimum of 150 pieces, they have stretch goals all the way up to $14,000 in order to get to all three additional colors — a cherry red, a forest green and a royal blue.

The Twist Bullet Pencil by Huckleberry Woodchuck and MetalShopCT, now on Kickstarter.

My pledge was at the $55, which will get me two pencils with my choice of either tip. I’m not sure which variety I want yet, but if I have my choice of colors, I’m thinking black and blue, with a round brass tip and a pointed aluminum tip.

How does this differ from the Bullet Pencil ST?

What I love about both of these projects is that they’re so different from each other in so many ways, even though they’re both bullet pencils. Jeff Grant’s Bullet Pencil ST, with a pocket clip, a barrel with a uniform width, fancy mechanisms in the pencil to snap the tip to the barrel, and even the fact that it has a capacitative touch stylus, mean that it’s a very modern interpretation to a bullet pencil. It’s a nod to the modern — this is for making scribbles on your iPhone as well as in your Field Notes.

Jay and Jon’s Twist Bullet Pencil is more of a tribute to the old, original bullet pencil. Sure, there are plenty of modern innovations — it’s machined instead of stamped, out of a thin — it’s anodized instead of wrapped with a design. The vast majority of old bullet pencils were held in place by tension, not by screw threads. But the shape and the simplicity of it is much closer to the original.

Bullet Pencil ST and Twist Bullet Pencil Comparison

Bullet Pencil ST and Twist Bullet Pencil compared, to scale (with each other), in closed position. Photos from the respective Kickstarter pages.

Which is better? I can’t say. I like them both a lot. And I think, objectively, they each will appeal to different kinds of people. I haven’t had a chance to try out the Bullet Pencil ST yet, and there has been several improvements to the Twist since I tried the prototype over the summer.

But it’s like the difference between an automatic and a manual transmission vehicle, or shaving with an electric razor versus a safety. One design offers lots of features the other doesn’t, but the simplicity in design and the (presumed) fact that the latter does what it does really, really, well, still makes it a strong contender.

Welcome to the world, Twist Bullet Pencil. I’m overjoyed you’re here to help satisfy and grow the rising bullet pencil popularity.

Twist Bullet Pencil. Vintage Meets Modern with a Twist. | Kickstarter

New on Kickstarter: The Bullet Pencil ST

There’s a new Kickstarter campaign that launched last week that I really, really want to share with you all.

It’s funny how things get into the collective consciousness of the internet. At some point late last year, I and a few other bloggers started writing about bullet pencils. Speaking only for myself, I couldn’t shut up about them for months.

That’s why I’m super excited to see this hit Kickstarter. Amidst all the campaigns for customized pens (seriously, folks. There are so many of them), we have a tribute to the bullet pencil.

Check it out: the Bullet Pencil ST.

The Bullet Pencil ST on Kickstarter

Jeff Grant, the creator, is responsible for a few other successful campaigns, like the Field Assistant, a titanium carrying case for Field Notes, and the very popular Metal Comb Works custom metal comb, which ended at more than 500% of his goal.

Like his other products, this pencil is a modern take on an old product. At $33, the pencil (model name: TT) includes a pocket clip, a Palomino Blackwing stub, and a hole in the top specially designed to fit a Blackwing eraser! And, at the $39 level, he takes the modern interpretation even further and includes a capacitive stylus tip on the opposite end of the wooden pencil, so when the BPST is closed, the user can use a smartphone or tablet with it.

The Bullet Pencil ST: Stylus View

Jeff says on his Kickstarter campaign page:

I decided to create a writing instrument accessory that would allow me to use my favorite writing instrument, the trusty No. 2 pencil. A device to protect the pencil tip while in a pocket, backpack or bag…but also a useful tool for today’s smart phones, tablets and touch screens.

I thought back to what my grandfather would carry in his pockets and on his person. For sketches and note taking he would always carry a No. 2 pencil behind his right ear or his shirt pocket. This wasn’t any old pencil, he used a “Bullet Pencil” that he undoubtedly got as a giveaway at the local hardware store he frequented.

The original intention of the bullet pencil is lost in this interpretation of the product; this is too fine a product to give away at the hardware store or as souvenirs at, say, the Niagra Falls gift shop. But Jeff is honoring the functionality of it — a handy, protected little pencil that will slip right into your pocket. The handiness is extended just a bit further for this era with the stylus.

Not having had the opportunity to try it out, I can’t comment on the design and construction of this device in any great detail. There are a few things I’m hoping will change between the design of this prototype and the final production model:

  • It looks like the stylus/pencil holder piece fits into the sheath via friction. I imagine that after some wear, that will become looser and looser. Unlike an old bullet pencil that can be bent slightly to tighten up a loose fit, I doubt this is as pliable. Perhaps a couple turns worth of screw threads can solve that.
  • The Peebs is just a tiiiny bit larger of a diameter than a standard hex pencil, right? (Please, correct me if I’m wrong about this.) I wonder if I’ll be able to use other pencil stubs in this pencil.
  • Since he’s using the Peebs eraser, Jeff has the opportunity to correct a small design flaw that the pencil itself has — the fit of the eraser. The Blackwing Ferrule itself fits the eraser clip loosely enough that it can be removed with ease, but in doing so, it’s hard to keep an extended eraser in place when erasing — the pressure and friction on the paper just pushes it back down inside the ferrule. The BPST could correct that for itself.

I love the fact that this weighs less than half an ounce, and that it’s just under 5 inches long when closed. I like that the eraser is replaceable — unlike many of the old, midcentury bullet pencils — as is the stylus tip.

I even like the “Ancile,” available at the basic pledge level of $22, a pared-down version of the BPST. It works as a point protector (or a shield — an ancile!) for a pencil.

For a smaller pledge of just $22, you can get the Ancile ST, a shield for your pencil point.

My Erasable co-hosts and I are excited to see how this Kickstarter goes — at the time of publishing this post, it’s at 42% of its $8,900 goal, with 25 days left to go. There’s another prototype bullet pencil we’ve been watching on the horizon, too, though I don’t want to talk about it too much until it’s ready. It seems like we’re in a bullet pencil Rennaissance right now, and that’s really exciting.

To see more photos, a video, and to pledge on this Kickstarter, go to the Bullet Pencil ST Campaign page.

Aaron Draplin is coming to speak in my town tomorrow

Tomorrow is an exciting day for me — designer and Field Notes inventor Aaron Draplin is coming to Fort Wayne to speak about his “cosmic wit and wisdom on design”! This is his only tour stop in Indiana in 2013.

DDC vs FTW: A Night of Graphic Design Straight Talk with Aaron Draplin » 

A draft of the limited edition poster of Aaron Draplin for Kickstarter backers.

It all started as Kickstarter campaign, and quickly met its funding goal and eventually, more than doubled it. Fort Wayne, though not a big city (we’re the second-largest city in Indiana, with just under a quarter-million people) has a talented, tight knit graphic design community. In fact, two of my best friends who form the creative partnership pye,brown are the main sponsors of this event.

As a pledger, I’m getting a super-cool limited edition poster designed by a friend of mine Josh Tuck of Rustbelt Co (you may remember him from his review of Gridbooks), as well as a ticket to the event.

And what an event! According to the event page:

Let’s just say that Draplin is a colorful speaker whose passion for design and the work ethic of the American Midwest and its history shows though in abundance. Once you hear him speak, you will leave the premises fired up to create and make cool things.

I’m definitely going to bring some of my first-edition Field Notes cahiers to get signed, and hopefully — hopefully — there are some DDC branded bullet pencils that will be on sale with the other merch he’ll have.

Why do I think this? Following up my post about Pencil Revolution’s interview with Draplin about bullet pencils, I tweeted him to ask if he ever made them for his prodigious merchandise catalog. This tweet back from Aaron Draplin in September:

And then, as I was reading about XOXO, the big tech fest in Portland that just finished its second year, I found a photoset about it in the Flickr feed of Glenn Fleishman, owner of The Magazine. Draplin was there, and Glenn took a picture of the merch table he set up:

XOXO 2013 Marketplace

Wait, what’s that? There, in the mid-left of the photo:

Could those be DDC bullet pencils?

Could that be? Bullet pencils?

No. It’s too thick and blunt-ended. After scouring the Merch section of the website, I realized it’s a Toothpick Canister.

As you know, I’ve been kinda obsessed with bullet pencils for a while. I’m definitely going to snag some of these puppies if he has them.

In any case: Be jealous, internet, because I’m going to meet The Man tomorrow!