A pen that’s dressed like a pencil

Things have been quiet around this blog for the last couple of years, but it’s not for lack of effort and interest in the pencilsphere.

One big thing that’s happening in my world is that my Erasable Podcast (130 episodes strong!) co-hosts and I are going to be going to the 2020 Baltimore/Washington International Pen Show to do a live episode on Friday, February 28!

Yes, we’re infiltrating the inky enemy and pronouncing our graphite propaganda. It’s been my (admittedly limited) experience that while the majority of pen show attendees don’t give a shake about pencils, there are a small but interested contingent who have just never thought about good-quality pencils. All they need is a little education and encouragement, and we’ll get them well on their way to regular graphite usage.

In order to raise the money to get to Baltimore (I’m flying in from San Francisco, and Tim from East Tennessee), we partnered with our friends at Baron Fig to customize their fantastic (and highly collectible) Squire pens and give it a makeover that’s relevant to our interests.

Introducing the Baron Fig X Erasable Number Two Squire!

The Baron Fig X Erasable Number 2 Squire Pen

This baby has ALL the features:

  • A bright #2-pencil-yellow anodized aluminum body
  • An eraser-pink anodized twist nock at the top.
  • A rollerball refill with a rich blue ink, in tribute to our favorite mass market pens, the blue Bic Cristal: the pencil of pens.

Baron Fig x Erasable Squire - Detail - 01

So here’s the rub: We have to place the order with Baron Fig all at once, so if you’re interested in getting one, you need to order it by this Friday, December 13, 2019 (five days from this posting). We might do it again, but we have no idea!

And for those of you looking for a nice Christmas gift for the pencil lovers in your life, I’m afraid this isn’t going to work for you — we’re not expecting this to be ready until late January.

But otherwise, we’d love your support, and in turn, you get a pen that when you know you must use a pen, you’re still supporting independent pencil media ventures.

Check out the Erasable Shop to buy a Number Two Squire for $60 »

No. 2 — a beautiful pencil-scented fragrance with an unfortunate name

I’m taking a break from my not-actually-a-blogging-hiatus here to share something interesting. You may remember my post from 2014 about the “Number Two (Pencils Shavings)” perfume from DSH Perfumes. It was designed to be a wearable essence and a scent for a room diffuser, though it never really struck me as really smelling like pencils.

Well, there’s a new pencil-scented fragrance in town, and it’s also called “No. 2,” this time from Portland-based artists Rory Sparks and Catherine Haley Epstein. They combined their love of pencils and perfume into a perfect fun project. Rory, a listener of The Erasable Podcast, was kind enough to send me a sample for review.

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The sampler spritzer of No. 2, kindly sent to me by the artist. The pencil stub is a nice touch!

I have to admit, the presentation is fantastic. My sample spritzer came wrapped with a short pencil stub to reinforce that the “No. 2” title was, in fact, referring to the pencil grade and not how people usually associate “number two” to smells.

Here’s the thing. While this scent smells distinctly different than what I remember the DSH scent to smell like (though I don’t have that vial any more to compare), it still doesn’t really smell like pencil shavings. I suspected the problem may be mine, and not the perfumes, though, so I took it into work and shared it with some coworkers.

Sure enough, I got a lot of comments about it smelling “woody” and a little “mineraly,” which I think confirmed that suspicion. My sense of smell is pretty out of tune. I blame years of bad childhood allergies and a perpetually stuffed nose and swollen sinuses.

Here’s the official description from the product page:

This scent was designed to honor the pencil. Like a pencil it is sharp, may be used as an under layer and blends in with just about everything. Yellow paint, splintered wood and metallic graphite serve as the springboards. The scent is made entirely of natural components of trees, leaves and citrus. Enjoy!

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Here’s the joint artist statement and a very cool personalized golf pencil from their ongoing art project.

If you want more information on this scent-based art project, check out Catherine Haley Epstein’s website, MindMarrow, for her project statement. And, if you want to smell like you just sharpened 50 pencils (as I did the other day), head over to her shop for various volumes and packaging options of the scent.

 

 

Two more Blackwing notebooks to complement the Slate

It’s been a minute since I’ve written anything about Palomino Blackwing/Pencils.com/CalCedar. But it’s not for want of any new products from them. They’ve been busy!

Their latest release is a great follow-up to my post in Summer 2014 about the Blackwing Slate, a Blackwing-branded A5-sized journal. Since that release, they haven’t said much about their line of paper products, though I’ve seen the Slate in most stores that carry their pencils. I figured they’ve been concentrating on their (very ambitious) quarterly Volumes releases.

But it was in the last Volumes release that they gave us a taste of what’s to come. The Volume 205 edition (the “jade” edition) included an extra. A small, single, pocket-sized notebook with the same leather-ish polyurethane black cover as the Slate.

blackwing-notebooks-1Later on, they announced it was called the Blackwing Clutch. And they followed that up with the Summit, a larger, 8.5 x 10” edition.

blackwing-notebooks-2Like the Slate, the Clutch and the Summit are plain black with a creamy, thick paper. Unlike the Slate, they are perfect-bound with a contiguous cover from front to back, similar to a Write Notepad notebook. And they have a soft cover; similar to a Moleskine, though with a better, thicker cover.

One thing about both of these new notebooks was bugging me — the name. The “Slate” makes sense — it’s another name for a handheld writing surface. But what about the “Clutch” and the “Summit”?

Finally, I emailed Alexander, Blackwing’s brand manager and asked. He said:

“The ‘Clutch,’ because it will (hopefully) come in clutch when you have a great idea on the go, and because it opens like a clutch bag. The ‘Summit,’ because we envision this being more of a meeting/desktop/workplace notebook, and because it’s our largest notebook offering.”

(“Clutch,” for those of you who don’t know, is slang for “performs under pressure.”)

Aesthetics

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I’m a fan of the matte black covers — they match my iPhone really well, so when my notebook and phone are laying on a desk next to each other, it looks like I planned it that way.

That said, I’m generally drawn to stationery items with a bit of color. The Baron Fig Three-Legged Juggler and the Write Notepads Kindred Spirit are two notebooks that come to mind.

But these are subtle and classic, and complement their pencils really nicely. Blackwing pencils are themselves not subtle (though I do think most of them are pretty classic), so unlike a bright pocket notebook (Say, the Field Notes Unexposed edition), these notebooks won’t draw attention away from them.

The Form Factor

One of the big advantages to the Clutch, Blackwing says, is to use it sideways, in “clamshell mode,” as it were. Two things about this:

  • That’s not a particularly unique value proposition — you can do that with any saddle-stitched or perfect-bound pocket notebook. And really, anything that’s graph or dot-grid ruled.
  • Also, the notebook isn’t particular good at being used sideways like that — the binding is very tight and it’s hard to break the spine on some pages.

Like other perfect-bound pocket notebooks, the Clutch is bound in such a way that in order to let it lie open, one must “crack” the spine —

bendy-blackwing-notebookThe Summit makes no such claims. The binding is a bit different — it’s more of a traditional journal, with the cover material tucked underneath the end sheet.

The Paper

Like the Slate, these two has a thick 100gsm ivory paper. It’s luxurious and smooth, but kinda smeary. I don’t know why I didn’t notice it in the Slate, but looking back, the Slate’s paper seems toothier. Check out the smear from this Blackwing Pearl:

smear-testAnd that’s not even the softest Blackwing out there.

Despite the smeariness, I like it a lot. It feels like paper befitting a luxury brand.

I am, however, not a huge fan of the dot grid here. It’s well-spaced — just about the same as the Baron Fig Confidant. But the dots themselves are big and bold, which makes them feel a bit intrusive. I would much prefer them to be smaller and lighter.

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The darker but smaller dot grid of a Blackwing Summit notebook next to the grayer but bigger dot grid of a Baron Fig Confidant

Both the Clutch and the Summit come in dot grid, lined and blank (the latter two I haven’t tried).

The Price

This is where you really see what “luxury brand” means. Like their pencil counterparts, this is not cheap. A three-pack of the Clutch notebooks are $14.95. The Summit is just a dollar cheaper than the Slate, at $21.95.

Is it worth it?

This is something you’ll have to determine for yourself. For me? It’s worth the quality they put into the notebook. They seem way more sturdy than the $12-per-pack Field Notes (only time will tell, though).

However great the quality is, I still would prefer a bit of color in my notebook. The Baron Fig Confidant and Vanguard limited editions are great for me in that regard, as are Write Notepads’ pocket notebooks. The Blackwing notebooks don’t appeal to me, aesthetically, as much as they do. If you like a subtle, classic black, I wholeheartedly recommend them.

I will certainly keep coming back to Blackwing for pencils, though. My Volumes subscription renews in a week, and that’ll be the start of my third year as a subscriber.

Check out the Blackwing Clutch at Blackwing602.com. And the Blackwing Summit. And if you haven’t seen it before, the Blackwing Slate is the hardcover journal sized right in the middle.

And thanks to Blackwing for providing me a pack of the Clutches and Summits at no charge for review purposes.

The Waverley Tartan Cloth Commonplace Notebook: Beautiful, but oddly ruled

I love plaid.

I don’t know if it’s because of my ten years of Catholic school — or perhaps in spite of it — but the colorful, patterned cloth has appealed to me for as long as I can remember. Perhaps none have been present in my wardrobe more than Black Watch plaid — a simple, understated green and blue plaid with roots in Scottish military garb born out of the unsuccessful Jacobite rebellion in the early eighteenth century.

I had a Pendleton wool scarf, which I cherished, and, in my late teens and early 20s, even a wool sweater vest!

Ladies.

Thats why, when I first became aware of Waverley’s tartan cloth-bound collection of journals from my friend Gary Varner’s blog, I was instantly lovestruck.

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Get out of my head! Heather Rivard from the Art Supply Posse Podcast on school supply shopping

“School supply shopping was an emotional experience for me. School supplies represent the part of life that made sense to me, like doing homework and what I was told. School clothes shopping represented the things that didn’t make sense, like social hierarchy and how to fit in and how to feel like an acceptable human being. School supplies! That is a source of so much warmth and comfort and excitement.”

That’s what Heather Rivard, co-host of the Art Supply Posse Podcast, said as to why she loved school supply shopping when she was a kid. She verbalized perfectly how I feel about it. I think the biggest difference is that I wore a uniform at Catholic school, so mostly it was “dress-down day” that caused my anxiety. Sometimes, I remember, I wore my uniform anyway and just said that I forgot to wear street clothes.

At the risk of psychoanalyzing myself, this could very well be the reason I fell in love with stationery in the first place. My post about Yikes! pencils is by far the most popular post on this blog, so I know we’re not alone.

I love Art Supply Posse! Heather, and my friend and long-time stationery blogger Ana Reinert from The Well-Appointed Desk, host it together, and although they go WAY deeper into art supplies than I can follow, they’re such interesting people. And it’s nice to see a niche of the stationery world get a well-deserved podcast.